Armenian Petroglyphs - 2007

Armenian Petroglyphs

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The Rock Arts of the Armenian Elevation are the Primary Source of the Armenian, Egyptian, Indian and Hettitian Ideograms (Hieroglyphs)

It is known, that with the appearance and the development of language the man is becoming a unique “symbolic animal”, passing a way from a biological being to a thinking one. But the reason is that the language, as an informatics object is a developing, open, huge library of interactive symbols, elements. Each of the elements is modeling, projecting and means one appearance of the world, out of the edges of the human race particularly and entirely. Taking in set that symbols and elements are summarized in one image of the space, environment, where live and create the users of that language. As the natural conditions, in which our forefathers lived, and the situation, which is expressed by the representatives of that culture, in many cases are changed from one ethnos to another, in the result we observe differences in the languages of various ethnic groups, and, in some cases, the differences are not essential in one ethnic group.

As the authors think, these differences obviously appeared in the stages of the development of rock art, rock images and pictures. Sometimes the graphical languages (executive manners, typical forms, etc.) of various ethnic groups are non-similar. It is supposed, that the complexes of the rock images, which were discovered on the historical territory of Armenia, are differed from each other in a measure of mental characteristics and dialect differences of the representatives of Armenian people from various parts and regions of Armenia. The graphical language, symbols and signs are available. They are invariant and never depend on time, geographical and natural coordinates. Many nations had successfully learned and developed this language. Language symbols are general and understandable basically in the limits of one ethnic group, in determined geographical space and time. The authors think that just the moment of the investigation of the graphical archetypes is supposed to be the start of the civilization. The graphical image, picture, symbol or sign, which is fixed on the stone, exists singly, never depends on its creator - «is alienated from him». All this systems possess by the feature of autonomy and independence. Linguist V.V. Martinov call the language – “Actuality – 2'', in diversity of “Actuality – 1”, which is the world environment.

The graphical language, the language of petrography and rock pictures allowed a floating, harmonic and efficient (less actions) passing from ''Actuality – 1'' to ''Actuality – 2''. The construction of ''Actuality – 2'' relative to the objective, real or imaginable process, weighing of negative and positive features, hesitation in sincerity of thoughts, projection and development of the structure of logical constructions, choice of more acceptable decisions and their spreading – for all mentioned the man and the human language are obliged to the features of graphical language, as well as to simultaneity, invariance, reflectiveness, regularity, totality, etc. The hieroglyphs or the symbols (the word “ideogram” comes from the Greek words “idea” and “I’m writing”) have a significant place in the history of letter writing. Hieroglyphs usually considered to be the first step in the development of letter writing and were on the lowest development degree, as if they do not express sounds or syllables. They express whole words or parts of them and, naturally, do not submit any grammatical rule and cause serious difficulties in reading. Egyptians, Shummers and Chinese implemented this kind of letter writing. The ancient nations, such as Armenian, also had hieroglyphs in their letter writing...

Source: http://www.iatp.am/ara/sites/gaghap/index.htm

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